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FANTASIES & SONATAS FOR THE PIANO

by W. A. Mozarth

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    Mozart's Piano Sonatas typically comprise only three movements: Fast-Slow-Fast . . . but taking a cue from his own pairing of the Sonata, K. 475, with the Fantasy, K. 457, we have drawn together many kindred movements from among Mozart's other fantasies, sonatas, and incidental pieces, and take pleasure in unifying them into longer works of larger scope. As with Beethoven, these compositions have nothing to do with the old "Clavicembalo," and require, in almost every measure, the unique resources of the "Piano e Forte." Mozart began cataloging his compositions in 1784, but the first "Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts" did not appear until 1862. It underwent many revisions over the next century, and the numberings below
    are drawn from the Sixth Edition (1964).
    ---------------------------------------------------------------------------------------

    • PROGRAMME •
    I. Fantasy and Sonata (Tracks 1-4)
    II. Grand Sonata (Tracks 5-11)
    III. Grand Sonata (Tracks 12-17)
    IV. Fantasy and Sonata (Tracks 18-21)
    V. Grand Sonata (Tracks 22-24)
    VI. Fantasy and Sonata (Tracks 25-29)     ... more
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1.
K 383a.1 06:48
lyrics
--------------------------------------------------------------------------------------- Mozart's Piano Sonatas typically comprise only three movements: Fast-Slow-Fast . . . but taking a cue from his own pairing of the Sonata, K. 475, with the Fantasy, K. 457, we have drawn together many kindred movements from among Mozart's other fantasies, sonatas, and incidental pieces, and take pleasure in unifying them into longer works of larger scope. As with Beethoven, these compositions have nothing to do with the old "Clavicembalo," and require, in almost every measure, the unique resources of the "Piano e Forte." Mozart began cataloging his compositions in 1784, but the first "Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts" did not appear until 1862. It underwent many revisions over the next century, and the numberings below are drawn from the Sixth Edition (1964). --------------------------------------------------------------------------------------- • PROGRAMME • I. Fantasy and Sonata (Tracks 1-4) II. Grand Sonata (Tracks 5-11) III. Grand Sonata (Tracks 12-17) IV. Fantasy and Sonata (Tracks 18-21) V. Grand Sonata (Tracks 22-24) VI. Fantasy and Sonata (Tracks 25-29)
2.
K 457.2 06:40
3.
K 457.1 07:37
4.
K 457.3 04:11
5.
K 189g.1 05:23
6.
K 189g.2/2 02:00
7.
K 189g.3 02:01
8.
K 570.2 07:51
9.
K 570.3 03:15
10.
K 189f.2 05:29
11.
K 315c.3 08:30
12.
K 533.1 09:59
13.
K 547b 02:00
14.
K 533.2 06:30
15.
K 570.1 05:18
16.
K 189e.2 09:08
17.
K 300k.3 04:36
18.
K 385g.1 and 300i.2 06:23
19.
K 576.2 04:11
20.
K 205b.2 04:58
21.
K 300i.1 08:04
22.
K 205b.3 and 576b 12:29
23.
K 540 06:14
24.
K 385g.2 and 284c.3 08:29
25.
K 475 14:15
26.
K 617a 02:45
27.
K 545.3 01:55
28.
K 300d.2: mm. 32–52 01:58
29.
K 494 08:50
30.
K 617a (arr. F.M.) 05:00

credits

released November 21, 2017

Production Assistants:
• Ludwig Kochel
• Otto Jahn

The So-Called Mozart Effect
Most scientific research into music is rubbish, and at the bottom of the heap, in our view, is the so-called "Mozart effect." If you are a parent allured and enamoured of the trappings of the bourgeois lifestyle, you may imagine that your particular child is somehow endowed with a worth and a value above that of other children, and that with the "right" external stimuli, your particular child can grow to rule, exploit, and subjugate others, especially in the more mystified realms of education, career, and politics. We beseech you not to bring such children into the world. But if your child demonstrates that it cannot live without music; that it cannot tear itself away from the piano without gnashing its teeth; that it seems to value auditory sensations as highly as oral, anal, and genital sensations, then we gladly refer you to the six albums of piano, organ, and composition lessons which form the core of our catalog.

Recorded at Morana Manor
( c ) ( p ) 2016, 2017
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